violuma
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The initial "Bose Box" came out when I was in college - it was basically a 901 with a cassette deck built into the top of it. My rooming group got one and the thing I'll always remember about it was cranking MLK's "I Have a Dream" speech on his birthday with the windows open and seeing people stop to listen from hundreds of yards away. The sound carried like no other.
Then, a year later, we met a guy who had a summer job interning there, and he got us invited to this employee auction where they sold damaged products. A roommate and I each bought a pair of 10.2s that I think retailed for about $1400 at the time for $50 a pair. There was some cosmetic cabinet damage, but they functioned great, and with four of them we basically had small nightclub-level sound for dance parties in a dorm setting. I gave my set to my parents when I moved to Japan, because they were just too heavy and inappropriately dominant for tiny Tokyo apartments.
I tell these stories primarily to demonstrate that I'm not a Bose hater by any stretch of the imagination, but many years later a friend who runs a stereo enthusiast 'zine quoted a little zinger rhyme that stuck with me: "no highs, no lows, must be Bose". Perhaps this is related to what you're observing with that "linear" option.
I've always felt that Bose really excels at relatively consistently filling space with enjoyable sound, which can be viewed as either a plus or a minus, I guess, as it tends to trade off imaging - where you can hear the hi-hat as being "just over there" if you're sitting in the sweet spot - for having a more balanced listening experience anywhere in the room.
Then, a year later, we met a guy who had a summer job interning there, and he got us invited to this employee auction where they sold damaged products. A roommate and I each bought a pair of 10.2s that I think retailed for about $1400 at the time for $50 a pair. There was some cosmetic cabinet damage, but they functioned great, and with four of them we basically had small nightclub-level sound for dance parties in a dorm setting. I gave my set to my parents when I moved to Japan, because they were just too heavy and inappropriately dominant for tiny Tokyo apartments.
I tell these stories primarily to demonstrate that I'm not a Bose hater by any stretch of the imagination, but many years later a friend who runs a stereo enthusiast 'zine quoted a little zinger rhyme that stuck with me: "no highs, no lows, must be Bose". Perhaps this is related to what you're observing with that "linear" option.
I've always felt that Bose really excels at relatively consistently filling space with enjoyable sound, which can be viewed as either a plus or a minus, I guess, as it tends to trade off imaging - where you can hear the hi-hat as being "just over there" if you're sitting in the sweet spot - for having a more balanced listening experience anywhere in the room.
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